I think it is not so much a question of where it came from – I have always made things and that process is a part of my being. The more interesting question is what sustains the passion. Like the majority of creative people, sustaining the passion is occasionally difficult, it ebbs and flows. I have found that it is important to keep to a routine and to work through the tough moments. Usually exploring a new technique gets me through this as it will spark new ideas. Walking, observing, reflecting, reading and photography all feed my imagination and are an integral part of the process.

Always. That and problem solving. I once ‘mended’ my tricycle with a wooden wheel from my Tinker Toy set. It was only partially successful…

It has been a background, not quite the real thing for many years. The need to earn a wage to support the family took priority. I was made redundant last year and decided that it was a ‘now or never’ moment.

I’m not sure that there is one particular source of inspiration for my work. The shapes I use come from a mixture of looking at stones, seashells, classic geometry, creating colour, the idea of scale etc., so I would say using a small object to inspire large pieces, the idea of interior spaces being visible and much more!

Starting and finishing. I get a buzz from the initial ideas and sketching which is so exciting that I can’t wait to get into the workshop. And finishing because the process of idea to actual piece remains magical.

On the whole, I enjoy the entire process, but to be honest when someone really appreciates the work, that’s the most satisfying thing.

It’s difficult to see particular influences on your own work. I’ll leave that for others to see – the answers could be interesting! There are many contemporary makers whose work I love including Edmund de Waal, Toru Kaneko, Simone ten Hompel, Helen Carnac and Ane Christensen.

As always, there are more ideas than time. The project I was working on until the recent lockdown was a square box, made in sterling silver. It is going to have a small square Iolite stone in a recycled gold setting and lined with lilac nubuck leather that matches the stone.

Please get in touch if you would like to discuss a bespoke commission by Rebecca or to see what pieces she currently has in stock.

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